Skip to main content

Hated in the Nation.

Since the news of Sushant Singh Rajput surfaced, the media houses have begun a trial. As with all media, trials are concerned; there are more conspiracies than concrete evidence. Although untold, Rhea Chakraborty is currently guilty until proven guilty. Is the media legally correct about such conduct? Since India does not have a jury system, the sub-judice provision doesn't apply. So everyone is free to voice an opinion. But is it moral?

India boasts of an inquisitorial jurisdiction, where a bench of justice seeks out the truth of the events. Which makes it only more pragmatic to wait for the inquiry outcome. 

Sushant's growth in the industry was symbolic of an ordinary man's dream in Bollywood. Thus his death in itself is a setback to the millions he inspired. Naturally, a nepotism flavour would be added to this curry, in a country whose political decisions are based on shehzaada Vs chaiwala.

Coming to politics, given the sour breakup of the Shiv Sena and BJP, it is an excellent opportunity to rope the ruling party. And who needs to be made aware of a nexus of politicians and Bollywood godfathers which have painted the dream city dark.

What's more interesting is that Bihar is due for elections soon. And the govt sees Sushant ( Bihar's lad ) as a prime issue to sway some public opinion. But in all this, we have a single person trapped. Perhaps Rhea is involved with many other biggies of the B-town mafia in abetting Sushant to this fate. Perhaps she was indeed plotting to ruin Sushant. Because if not, then we are putting her through inhuman misery. And we are being happy at her loss. Isn't this a case for Schadenfreude.

Popular posts from this blog

Changing face of Entertainment

The entertainment industry in India is waiting for yet another disruptive innovation, with millions of young users equipped with gigabytes of data every day, there is a new untapped customer base. Not particularly untapped since it makes do with pirated movies and free web series. But, there is an apparent lack of entertainment streamed towards them. Also, the shift from television sets to mobile devices, sets the stage clear for a change in content. the spikes in porn consumption and adult web series do speak of this unattended guest. The popularity of two platforms, mostly youtube and TikTok, have also helped in developing a new class of actors. To name a few Sumeet Vyas, Jitendra, Bhuvan Bam and much more. It has become apparent that the arduous task of going from one to another production house seeking a side role in a daily soap or movie, is on a decline. Not that, people won't get their debut at soaps and movies, but it seems easier to get a web series and keep working tha...
dive in...

Into the fuzziness

One way to put a banner on the course of human civilization is to call it an escape from uncertainty ( most of which would have led us to death). Why do we live in societies? To save ourselves from the uncertainty of getting attacked... Why do we build houses? To mitigate the uncertainty of getting our food washed away in the rain... Why do we rear children? So that we don't fast ourselves to death in old age. So in all these cases, the sheer uncertainty in the future has made us make expensive investments in the present. And those who didn't give in to these fears took a risk.  The pay-off of that risk is, however, independent of the past. In some cases, the risk turned out to be a golden gamble. Just like a flood washing away houses of people...the ones who hadn't built their houses were a little less sad. Risk can give an unexpected reward, but the higher the risk, the greater the return.  But at times, the risk is otherwise. Instead of choice for the individual, it beco...
dive in...

Senegol: A staff of moral jurisprudence.

India's latest parliament building was done within 2 years, which is remarkable in a country where large projects are known to be marred with corruption and bureaucratic blockades, ultimately shooting the estimates. The parliament like most of the other Delhi architectures, was a reminiscence of the colonial era, which the rulers of the day found symbolic in taking over. It has to do with the fact that Indian independence was mostly seen as a peaceful transfer of power rather than a violent outing of the colonizers, as with many other Asian countries. The claim for peace in the process was somewhat lost in the massive riots that followed the partition of the erstwhile British India Colony. But the establishments of the British era were carried on, and sometimes even the legislation still needed to be changed. This, if one would agree, does manifest the Indian idolisation of the Western culture, or at least the veneration of the West among its ruling elite. It was, therefore, impera...
dive in...